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Лексический материал "Театр"

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«Лексический материал "Театр"»

Going to the theatre is a very unique experience.

In a theatre, the seats are generally comfortable and the room at a comfortable temperature. You normally have assigned tickets so you know where you'll be sitting in advance.

The atmosphere is always very different, for example, to that of a cinema. It is generally more electric, accepting, responsive and vocal. It is always very easy to be drawn in to the spirit and nature of the audience.

Seeing live performances, especially that of actors in a play, is completely different to watching them on screen. There is a magnetism and skill which are easy to notice. We also feel more comfortable in critiquing their performance.

Live music is always a bonus. The way it rises and swirls around us, progressively getting louder and faster as the show moves on. It always gets the audience in the mood.

The lighting and scenery are always a marvel to behold. It can appear so lifelike. We always marvel at the skill and artistry behind them.

And of course the costumes – especially in some of the big shows – are just gorgeous. The quick changes are always fascinating – the gasps of the audience comments on the speed and 'magic quality' of such a transformation.

The 20th century brought great changes into the theatre. Cinema, radio, television, video altered the course of the major performing arts and created the new ones. But still there are hundreds of puppet theatres, conservatoires and philharmonics, musical comedy theatres, drama theatres and opera houses where the audiences are excited at the prospect of seeing a play and the actors are most encouraged the warm reception. But before going to a theatre you should book a ticket at a box-office. The most expensive seats are in the stalls, boxes and dress-circle. The seats in the balcony, pit and the upper circle are less expensive, they are cheap. Then at the entrance to the theatre the attendant tears your theatre ticket in half. He gives you your half back so that you can find your seat by its number. Another attendant shows you to your seat and sells a programme that will tell you which parts the actors are playing and how many acts there are in the play. Then you take your seat and may enjoy the play.

I have always envied the dwellers of large cities. They have so many opportunities to enjoy themselves. Theatres, cinemas, variety shows, circus, conservatoire, concert halls, etc. are at their desposal. In provincial towns like mine is we have only amateur dramatics. That's why I always take the smallest chance to go to a theatre when in a city.


Going to the theatre is a very unique experience.

In a theatre, the seats are generally comfortable and the room at a comfortable temperature. You normally have assigned tickets so you know where you'll be sitting in advance.

The atmosphere is always very different, for example, to that of a cinema. It is generally more electric, accepting, responsive and vocal. It is always very easy to be drawn in to the spirit and nature of the audience.

Seeing live performances, especially that of actors in a play, is completely different to watching them on screen. There is a magnetism and skill which are easy to notice. We also feel more comfortable in critiquing their performance.

Live music is always a bonus. The way it rises and swirls around us, progressively getting louder and faster as the show moves on. It always gets the audience in the mood.

The lighting and scenery are always a marvel to behold. It can appear so lifelike. We always marvel at the skill and artistry behind them.

And of course the costumes – especially in some of the big shows – are just gorgeous. The quick changes are always fascinating – the gasps of the audience comments on the speed and 'magic quality' of such a transformation.

The 20th century brought great changes into the theatre. Cinema, radio, television, video altered the course of the major performing arts and created the new ones. But still there are hundreds of puppet theatres, conservatoires and philharmonics, musical comedy theatres, drama theatres and opera houses where the audiences are excited at the prospect of seeing a play and the actors are most encouraged the warm reception. But before going to a theatre you should book a ticket at a box-office. The most expensive seats are in the stalls, boxes and dress-circle. The seats in the balcony, pit and the upper circle are less expensive, they are cheap. Then at the entrance to the theatre the attendant tears your theatre ticket in half. He gives you your half back so that you can find your seat by its number. Another attendant shows you to your seat and sells a programme that will tell you which parts the actors are playing and how many acts there are in the play. Then you take your seat and may enjoy the play.


I have always envied the dwellers of large cities. They have so many opportunities to enjoy themselves. Theatres, cinemas, variety shows, circus, conservatoire, concert halls, etc. are at their desposal. In provincial towns like mine is we have only amateur dramatics. That's why I always take the smallest chance to go to a theatre when in a city.